Vesna svyashchennaya [Le Sacre du printemps]

20th century ballet

Igor Stravinsky


The Rite of Spring (French: Le Sacre du printemps; Russian: Весна священная, Vesna svyashchennaya, "sacred spring") is a ballet and orchestral concert work by the Russian composer Igor Stravinsky. It was written for the 1913 Paris season of Sergei Diaghilev's Ballets Russes company; the original choreography was by Vaslav Nijinsky, with stage designs and costumes by Nicholas Roerich. When first performed, at the Théâtre des Champs-Élysées on 29 May 1913, the avant-garde nature of the music and choreography caused a sensation and a near-riot in the audience. Although designed as a work for the stage, with specific passages accompanying characters and action, the music achieved equal if not greater recognition as a concert piece, and is widely considered to be one of the most influential musical works of the 20th century.

Stravinsky was a young, virtually unknown composer when Diaghilev recruited him to create works for the Ballets Russes. The Rite was the third such project, after the acclaimed Firebird (1910) and Petrushka (1911). The concept behind The Rite of Spring, developed by Roerich from Stravinsky's outline idea, is suggested by its subtitle, "Pictures of Pagan Russia in Two Parts"; in the scenario, after various primitive rituals celebrating the advent of spring, a young girl is chosen as a sacrificial victim and dances herself to death. After a mixed critical reception for its original run and a short London tour, the ballet was not performed again until the 1920s, when a version choreographed by Léonide Massine replaced Nijinsky's original. Massine's was the forerunner of many innovative productions directed by the world's leading ballet-masters, which gained the work worldwide acceptance. In the 1980s, Nijinsky's original choreography, long believed lost, was reconstructed by the Joffrey Ballet in Los Angeles.

Stravinsky's score contains many novel features for its time, including experiments in tonality, metre, rhythm, stress and dissonance. Analysts have noted in the score a significant grounding in Russian folk music, a relationship Stravinsky tended to deny. The music has influenced many of the 20th-century's leading composers and is one of the most recorded works in the classical repertoire.

Year 1913
Opening Night 1913
Time Period 20th century
Instrumentation Symphony orchestra


Time 1930
" Rites of Spring" is Given as Ballet
New York Times (New York) April 12, 1930
Danse Sacrale from 'The Rite of Spring'
Boosey and Hawkes 1913
The Rite of Spring
Boosey and Hawkes 1913


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The Artist's Album
Deutsche Grammophon
Deutsche Grammophon
Tribute To Zubin Mehta
Decca Records
Les Ballets Russes, Vol. 1
Hänssler Classic
At the Meyerson, Vol. 2
Mark Custom
Stravinsky: The Rite of Spring etc.
Warner Music
Stravinsky: Rite of Spring; Firebird Suite
Royal Philharmonic Orchestra
The Rite of Spring & Petrushka
Trio Diaghilev
Taukay Edizioni Musicali
Aida & Il Trovatore - Highlights
Archipel Records / Qualiton Imports, Ltd
The Rite Of Spring/Chamber Concerto/Circus Polka Music
Igor Stravinsky, The Rite Of Spring Music
Legend of the Orchestra
Warner Music
Simon Rattle: Stravinsky
Warner Music
Le Sacre du Printemps/Apollo
Warner Music
The Rite of Spring/Petrushka
Musical Concepts
Atamian plays The Rite of Spring for Solo Piano, LIVE
Arizona University Recordings, LLC
The Rite Of Spring - The Works
Deutsche Grammophon
Le Sacre du Printemps/Apollo
Deutsche Grammophon
Boulez Conducts Stravinsky
Deutsche Grammophon
20th Century Classics: Igor Stravinsky
Warner Music