Articles about Post-Production

Audio Imagineering: Utilising the Four Sound Areas Framework for Emotive Sound Design within Contemporary Audio Post-production
The New Soundtrack (Online) (2016) Vol. 6, No. 1, pp. 77-107

Digital audio took its first, tentative steps towards widespread acceptance over forty years ago with the adoption of the Compact Disc as a de-facto standard for auditioning music, with cinema embracing digital encoding and reproduction a decade later. Somehow, broadcast ...

John Roesch at Sky Walker Sound
Mix (2015) Vol. 39, No. 12, pp. 36, 38

 

BALANCING THE 'ENIGMA'
Mix (2015) Vol. 39, No. 9, pp. 36-37

 

A Newer, Easier Way At Deluxe Toronto
Professional Sound (2015) Vol. 26, No. 2, pp. 26-29

"It's truly three-dimensional sound," Mike Baskerville says. "Having mixed over the years in various formats-- mono, stereo, Dolby Stereo, 5.1,7.1, and now full range surround--as a tool, it's a natural progression. In previous surround formats, the arrays would roll off... ...

A Curated Musical Museum: The Science of Song Order
Canadian Musician (2014) Vol. 36, No. 3, pp. 62

Now, a lot of folks also believe that you need to grab the listener right off the top, similar to a live show where you come out with a bang. This is the right instinct, but the wrong tactic. Most ...