Articles about Post-Production

Audio Imagineering: Utilising the Four Sound Areas Framework for Emotive Sound Design within Contemporary Audio Post-production
The New Soundtrack (Online) (2016) Vol. 6, No. 1, pp. 77-107

Digital audio took its first, tentative steps towards widespread acceptance over forty years ago with the adoption of the Compact Disc as a de-facto standard for auditioning music, with cinema embracing digital encoding and reproduction a decade later. Somehow, broadcast ...

John Roesch at Sky Walker Sound
Mix (2015) Vol. 39, No. 12, pp. 36, 38


Mix (2015) Vol. 39, No. 9, pp. 36-37


A Newer, Easier Way At Deluxe Toronto
Professional Sound (2015) Vol. 26, No. 2, pp. 26-29

"It's truly three-dimensional sound," Mike Baskerville says. "Having mixed over the years in various formats-- mono, stereo, Dolby Stereo, 5.1,7.1, and now full range surround--as a tool, it's a natural progression. In previous surround formats, the arrays would roll off... ...

A Curated Musical Museum: The Science of Song Order
Canadian Musician (2014) Vol. 36, No. 3, pp. 62

Now, a lot of folks also believe that you need to grab the listener right off the top, similar to a live show where you come out with a bang. This is the right instinct, but the wrong tactic. Most ...