Zauberklänge und singende Teufel
Archiv für Musikwissenschaft (2015) Vol. 72, No. 1, pp. 36-54

In Franz Schreker's commentaries on his operas, but even more so in the scores themselves, an orientation toward Ferruccio Busoni's music aesthetics becomes apparent. This is primarily exhibited in the idea of music's role in opera being strategically legitimized by ...