Andrew Mead

Jacobs School of Music, Indiana University

Articles

Fuzzy Edges: Notes on Musical Interaction in the Music of Elliott Carter

Much of Elliott Carter’s music of the past half-century has depended on combinations of different musical characters, defined by expressive qualities, playing modes, pitch language, rhythm and tempo. These different characters are often situated in rhythmic grids, many of which ...

In Memoriam: Carl Kristian Wiens (1964-2012)
GAMUT (2012) Vol. 5, No. 1, pp. 1-6

 

On Tempo Relations
Perspectives of New Music (2007) Vol. 45, No. 1, pp. 64-109

 

Listening to Reger
The Musical Quarterly (2004) Vol. 87, No. 4, pp. 681-707