On the Paths of Béla Bartók's Modernism Followers and Companians: Josip Slavenski and Marko Tajcevic
Muzikoloski Zbornik (2016) Vol. 52, No. 1, pp. 27-40

The main aim of this paper is to re-examine the modalities of Béla Bartók's influence as a composer during the first half of the 20th century to the main, dominantly "nationally" oriented style in the former Yugoslavia, focusing on two ...

Muzikologija (2014) Vol. 14, No. 16, pp. 195-209

This paper contributes to the marking of the centenary of the death of two significant composers and conductors--Davorin Jenko (1835-1914) and Stevan St. Mokranjac (1856-1914). Although belonging to different generations, Jenko and Mokranjac were simultaneously active in Serbian culture over ...

Stevan Stojanovic Mokranjac and the Inventing of Tradition: A Case Study of the Song "Cvekje Cafnalo"
Muzikoloski Zbornik (2010) Vol. 46, No. 1, pp. 37-56

The main aim of this article is to examine Stevan Stojanovic Mokranjac's role in the processes of "inventing the artistic tradition" of Serbian music of modern times. By following the route of the chosen analytical sample, the folk song "Cvekje ...

Rec urednika
Muzikologija (2009) , No. 9, pp. 9-12


Rec urednika
Muzikologija (2008) , No. 8, pp. 13-14


Rec urednika
Muzikologija (2007) , No. 7, pp. np


Istok-Zapad u polemickom kontekstu srpske umetnosti izmedu dva svetska rata
Muzikologija (2005) , No. 5, pp. 119-129

This article represents a fragment of the author's doctoral dissertation "Serbian Music at the Crossroads of the East and the West? On the Dialogue between the Traditional and the Modern in Serbian Music between the Two World Wars" (the review ...

Stilske koordinate oratorijuma Vaskrsenje Stevana Hristica (1912) i pitanje raskrsca tradicija u srpskoj muzici na pocetku 20. veka
Muzikologija (2004) , No. 4, pp. 25-37

"Vaskrsenje" ("Resurrection") which was composed by Stevan Hristic (libretto Dragutin Ilic) was a first oratorio in Serbian music. The libretto was published in a journal "Odjek" ("Echo") in 1909, with the first performance in 1912 at the Belgrade National Theatre. ...