The Opera Quarterly

A Note from the Guest Editor
The Opera Quarterly (2014) Vol. 30, No. 2, pp. 169-171

 

Tempest Ex Machina: A Review of the Opera Onstage
The Opera Quarterly (2014) Vol. 30, No. 1, pp. 161-165

 

Power Exchange: Thomas Adès’s The Tempest
The Opera Quarterly (2014) Vol. 30, No. 1, pp. 157-160

 

The Geometry of Thomas Adès’s The Tempest
The Opera Quarterly (2014) Vol. 30, No. 1, pp. 152-156

 

The Future of Opera
The Opera Quarterly (2014) Vol. 30, No. 1, pp. 144-151

Some Thoughts on the Necessary Creation of a New Idea of Opera as Theater of the Future. It is generally considered to be true that the form of opera known as absolute music theater first came into being through Alban ...

Zimmermann, et al.
On Die Soldaten
The Opera Quarterly (2014) Vol. 30, No. 1, pp. 142-144

If one begins to express something about opera, it is necessary that it be clear that since its creation the form of opera has been an anachronism, and a timeless one at that. If one is aware of this, much ...

Zimmermann, et al.
Three Scenes from the Opera Die Soldaten
The Opera Quarterly (2014) Vol. 30, No. 1, pp. 140-141

My opera, Die Soldaten, after the eponymous “comedy” by Jakob Michael ReinholdLenz, was written between 1958 and 1960. That which drew me to Die Soldaten was, above all, the way in which this work, written between 1774 and 1775, portrays ...

Zimmermann, et al.
Lenz and New Aspects of Opera
The Opera Quarterly (2014) Vol. 30, No. 1, pp. 135-139

During the winter of 1774–75, Jakob Michael Reinhold Lenz wrote The Soldiers [Die Soldaten], the play that, as he described in a letter to Herder, had “taken half his being”. The truth of this was to be verified in his ...

Zimmermann, et al.

About

Since its inception in 1983, The Opera Quarterly has earned the enthusiastic praise of opera lovers and scholars alike for its engagement within the field of opera studies. In 2005, David J. Levin, a dramaturg at various opera houses and critical theorist at the University of Chicago, assumed the executive editorship of The Opera Quarterly, with the goal of extending the journal’s reputation as a rigorous forum for all aspects of opera and operatic production.

Publisher Oxford University Press
Country United Kingdom
ISSN (Print) 0736-0053
ISSN (Online) 1476-2870
Year started 1983
Indexed 696 articles
Website
Licence Paid Access

Search within this Journal

Tags