Eighteenth-Century Music

Eighteenth-Century Music (2015) Vol. 12, No. 1, pp. 141-143

NICHOLAS RHEUBOTTOM

composers salzburg, austria

Eighteenth-Century Music (2015) Vol. 12, No. 1, pp. 122-125

Ellen Exner

germany composers

Eighteenth-Century Music (2015) Vol. 12, No. 1, pp. 3-7

Celia Applegate

musicology 18th century

Eighteenth-Century Music (2015) Vol. 12, No. 1, pp. 109-111

R. Rawson

profiles composers

Eighteenth-Century Music (2015) Vol. 12, No. 1, pp. 94-96

Barbara Reul

musicology 18th century

Eighteenth-Century Music (2015) Vol. 12, No. 1, pp. 69-90

The plagal cadence has long been a significant concept within musical discourse, but that discourse contains no convincing explanation of why the progression should be characterized as 'plagal'. This article elucidates the meaning of the term 'plagal cadence' by examining ...

CALEB MUTCH

music theory 18th century

Eighteenth-Century Music (2015) Vol. 12, No. 1, pp. 100-103

Nicholas Mathew

18th century composers

Eighteenth-Century Music (2015) Vol. 12, No. 1, pp. 114-117

ANNE HYLAND

classical music sound recordings

Eighteenth-Century Music (2015) Vol. 12, No. 1, pp. 33-67

Recent performance projects have called into question the use of the sixteen-foot violone in a wide range of instrumental and concerted vocal works, particularly those by J. S. Bach. In performances of music by Bach and his contemporaries, artists have ...

DAVID CHAPMAN

instrumental music early music

Eighteenth-Century Music (2015) Vol. 12, No. 1, pp. 127-130

DIANNE GOLDMAN

music education 18th century

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Eighteenth-Century Music is a well-established journal dedicated to all areas of eighteenth-century music research. Its generous breadth of coverage includes, alongside articles and essays by both leading and emerging scholars, a wide range of reviews and a communications section that reports on conferences and other items of interest from around the world.