Eighteenth-Century Music

EDITORIAL
Eighteenth-Century Music (2015) Vol. 12, No. 1, pp. 3-7

 

BLAINVILLE'S NEW MODE, OR HOW THE PLAGAL CADENCE CAME TO BE 'PLAGAL'
Eighteenth-Century Music (2015) Vol. 12, No. 1, pp. 69-90

The plagal cadence has long been a significant concept within musical discourse, but that discourse contains no convincing explanation of why the progression should be characterized as 'plagal'. This article elucidates the meaning of the term 'plagal cadence' by examining ...

REVIEWS
Eighteenth-Century Music (2015) Vol. 12, No. 1, pp. 114-117

 

THE SIXTEEN-FOOT VIOLONE IN CONCERTED MUSIC OF THE SEVENTEENTH AND EIGHTEENTH CENTURIES: ISSUES OF TERMINOLOGY AND FUNCTION
Eighteenth-Century Music (2015) Vol. 12, No. 1, pp. 33-67

Recent performance projects have called into question the use of the sixteen-foot violone in a wide range of instrumental and concerted vocal works, particularly those by J. S. Bach. In performances of music by Bach and his contemporaries, artists have ...

About

Eighteenth-Century Music is a well-established journal dedicated to all areas of eighteenth-century music research. Its generous breadth of coverage includes, alongside articles and essays by both leading and emerging scholars, a wide range of reviews and a communications section that reports on conferences and other items of interest from around the world.

Publisher Cambridge University Press
ISSN (Print) 1478-5706
Indexed 455 articles
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