Mark Wiggins looks at the background to one of the most haunting records of the moment, the fusion of renaissance polyphony with the sound of the saxophone

Mark Wiggins
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Journal Gramophone
Year 1994
Volume 72
Pages 20-32

Wiggins, Mark (1994) Mark Wiggins looks at the background to one of the most haunting records of the moment, the fusion of renaissance polyphony with the sound of the saxophone. In: Gramophone, Vol. 72, pp. 20-32. Available at https://openmusiclibrary.org/article/348135/.

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