Articles about Musicology

Musical Representationb and Vivaldi's Concerto "Il Proteo, ò Il mndo al rovverscio," RV 544/572
Journal of the American Musicological Society (2016) Vol. 69, No. 1, pp. 111-177

Vivaldi's concerto titles draw ambivalent reactions from historians, who see them as commercial hooks, rarely reflecting musical substance. But titles condition a work's reception, connecting it to a cultural context by which to steer a listener's reactions, both intellectual and ...