Bernardo Alexander Attias

Articles

Authenticity and Artifice in Rock and Roll: "And I Guess That I Just Don't Care"
Rock Music Studies (2016) Vol. 3, No. 2, pp. 131-147

Musicians, journalists and academics often hold up the Velvet Underground as the paragon of authenticity in rock music, and the band indeed portrayed itself this way from the outset. While much ink has been spilled explaining the original and authentic ...

Off the Record: Turntablism and Controllerism in the 21st Century (Part 2)
Dancecult (2012) Vol. 4, No. 1, pp. np

In part two of this conversation concerning the role of technology in DJ performance and electroniculture, scholars and DJs Tobias C. Van Veen and Bernardo Alexander Attias explore the ways in which various technologies change the means as well as ...

Off the Record: Turntablism and Controllerism in the 21st Century (Part 2)
Dancecult (2012) Vol. 4, No. 1, pp. np

In part two of this conversation concerning the role of technology in DJ performance and electroniculture, scholars and DJs Tobias C. Van Veen and Bernardo Alexander Attias explore the ways in which various technologies change the means as well as ...

Meditations on the Death of Vinyl
Dancecult (2011) Vol. 3, No. 1, pp. np

Ultimately, when we focus on authenticity in relation to technologies we tend to ask the wrong questions. New technologies will always face a dynamic of authentication within circles of resonance, and old technologies will never really disappear. It behooves both ...

Meditations on the Death of Vinyl
Dancecult (2011) Vol. 3, No. 1, pp. np

Ultimately, when we focus on authenticity in relation to technologies we tend to ask the wrong questions. New technologies will always face a dynamic of authentication within circles of resonance, and old technologies will never really disappear. It behooves both ...