The main aim of this paper is to re-examine the modalities of Béla Bartók's influence as a composer during the first half of the 20th century to the main, dominantly "nationally" oriented style in the former Yugoslavia, focusing on two of Bartók's somewhat younger contemporaries - the composers Josip Slavenski (1896-1955) and Marko Tajcevic (1900-1984), prominent representatives of European interwar musical modernism.
Tomasevic, Katarina (2016) On the Paths of Béla Bartók's Modernism Followers and Companians: Josip Slavenski and Marko Tajcevic. In: Muzikoloski Zbornik: Musicological Annual, Vol. 52, No. 1, pp. 27-40. Available at http://openmusiclibrary.org/article/190190/.